At decennarytion-grabbing opening seasons are vital for a theater director to dapple and establish, since the audience or viewer may altogether measure the film by how intriguing the opening date is or by how much it catches their at tention. The beginning of the opening sequence of What Lies beneath creates suspense at the real(prenominal) scraping by introducing a symbolic atmosphere that relates to the films title (What Lies Beneath). The director sets the scene subaqueous at the very beginning with words which run throughm to splendour in the water and then fade. This effective and useful technique grabs the audiences attention by a combination of excitement and consternation; many audiences may have phobias of being placed submerse so the idea of it is fear-provoking (as is the idea of drowning). The audiences tension relies on the chary use of the camera. For example, in the scene at the very pull up stakes where Claire is lying in the bath, the birds eye shot shows her looking very odd (adding an element of surrealism). In addition, throughout the first ten minutes, every time the main character is on the screen, we agree her very block-up, whereas almost all other shots are aptitude or long. The director may have done this with the conniving intention to tell the viewer that she is different to other agglomerate in the film.

Claire Simpson is visibly introduced to us through a destruction up of her face. This forces the audience to direction on her face and follow up us realise she is the main character. The audience is made to instruction on Claires f acial expressions, which indicate shock. Thi! s unnerves the audience, making them wonder because she is submerged beneath water. The cameras focus changes to a mid pat shot of Claire gasping for breath, and lying in the bath. We... If you want to get a full essay, order it on our website:
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