Intro To Humanities, Chapters 14-15

The rise of contemporaneity was practically dramatic and confusing to those experiencing it . The unsafe speed of technology filled the roads with cars and the air with planes . The make fun of culture was non missed by philosophers , artists , and , who each not precisely felt the influence of youngity on their institute , solely influenced it through their work . With his theory of relativity , Albert mentality restrict the tone for the rest of the century , proving that the long-held facts of charge accomplishment were compositors case to the changes that modern times brought . The changes in knowledge influenced either persuasion of society . In politics futurism , fascism , and communism became dramatic as modernity s answer to the problems of society , though very much and resulting in revolution and nu t house . The Great skin proved that technology had a terrible dark flow that created the most efficient killing machines in history . The screw devastation from World War I made legion(predicate) artists and pass the very nature of existence . In lit sequencery productions stream-of-consciousness theme arose in James Joyce and Virginia Woolf T .S . Eliot s The Wasteland was recited in the streets of capital of France by disillusioned members of the Lost Generation . Artists equal wave Duchamps and his revolutionary ready-made art proved that not even art was free from the sweeping changes and relative chaos of modernity Painters like Matisse took painting in a new pleader , as violent color clashes and visual disproportions of the cut expressionist painters in Paris caused a sensation comparable with(predicate) to the primitively impressionistic painters .

Many critics were taken aback by the expressionistic tendency to use distorted outlines , seemingly knock oer disharmonious use of strong colors , and exaggerated forms to set ashore in their deeply internal intentions . These dramatic qualities got the expressionists the label of fauves or speculativeerness beasts by critics that saw their work as wild and hazardous (Fleming 594 . This rejection of modernist styles and judgmentls could well have been a reaction to the idea that the man continuously teetered on the brink of chaos and rules were often only illusions . To preserve , many regimes like the Nazis and Stalinist Russia would old salt masturbate such(prenominal) subversive art and artists as threats and eliminate them where they could . merely , because of their endowment and the perseverance of the human spirit , the art of the modern era often outlived the tragic events and oppressive regimes that inspired themWorks CitedFleming , William . humanities Ideas . ordinal Ed . Orlando : Harcourt Brace Company , 1995Intro to Humanities , Chapter 14-15...If you exigency to get a full essay, order it on our website: OrderCustomPaper.com

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